清康熙年间，为了满足皇宫对家具等陈设与装饰器物的需求，清政府召集能工巧匠，对民间家具加以改良。圈椅进入皇宫之后，发生了华丽蜕变，一跃成为“皇宫圈椅”。皇宫圈椅化简朴为厚重，这种改变使圈椅的形制更加完善，并在雍容贵气中增添了一份儒雅。

The Kangxi period of the Qing Dynasty, in order to meet the demand of the palace furniture furnishings and decorative objects, the Qing government convened skilled craftsmen to modify the folk furniture. After the chair into the palace, the magnificent transformation, became the "Royal Palace chair". The palace of chair for the simple thick, this change makes the chair form more perfect, and add a refined in grace extravagance in.

一、顺，这个顺，是看着顺、摸着顺，这要凭感觉去体会，也就是说要掌握好它的弧度、弯曲度，以及雕花的位置和面积。 One, Shun, this Shun, is looking at Shun, feeling smooth, this is to feel by feeling, that is to master its radian, curvature, as well as the position and area of carved.

二、贴，是指雕花，花要贴到扶手上，自然过渡，不能太深也不能太浅。太深了摸着手感不好，太浅了立体感不强。 Two, paste, refers to the carving, the flowers should be affixed to the handrails, natural transition, not too deep, not too shallow. Too deep, feel bad touch, too shallow, three-dimensional sense is not strong.

三、连，是连贯，花纹不能断裂，不能各自孤立，纹理间要有关联，使之浑然一体，如果把上下花纹图案平展开，应该是完整的一幅图案。

四、空，花纹间是缕空的。 Four, empty, the pattern between the wisp is empty.

五、错，这里的“错”是错位的意思，扶手的上面、下面和侧面，三面的花纹既近似又不完全一致，孔洞要相互错开，而非直通通地从上看到下。 Five, wrong, here the "wrong" is the meaning of dislocation, handrails on the top, bottom and side, three sides of the pattern is similar and not identical, holes should stagger each other, rather than straight through the ground to see down.